About the artist.
D Glenn Peterson / A.K.A.   Dave Peterson  

My art career has been both a vocation and avocation spanning over 30 years.  Though I attended the  Art Center College, Pasadena Ca. in 1965 and have taken later courses most of my training has been by doing ... trial and error.

From 1972 until 1981 my primary work was as a potter showing through art galleries, retail stores and art fairs. In 1981 I had to discontinue doing pottery because of overexposure to oxides and a near chemical poisoning. (In the early days few if any of us knew that we shouldn't be stirring glazes with bare hands.) Prior to 1981 and after, until about 1987, I pursued wildlife and western art in both painting and wood sculpture. About 1988 my work took an about face with the production of only abstract color and texture studies. Most of these were on a larger scale of 2X3 feet or more. I also worked with various methods of silk screening images. Recent years have turned again in a way that pulls both the detail and the abstract or impressionistic together. I have found satisfaction in combining realism with what I have learned about visuals, texture and color.

Probably the statement I hear most often is that it seems as if my paintings are by a number of artists. I think the reason for this is because my interests change quite often as far as subject matter and technique. At times I might find inspiration in the detailed reflections of water or a conglomeration of tree branches while another day I smear paint every which way just to see what it looks like. Possibly it is also because I have spent many years in art and as a result have "played" with different styles, materials and methods as I search for ways to develop my art and myself.

When I compose a painting my approach is to follow any process to achieve the end result and at times, as with pottery, I do not know in advance what that result will be. I paint from dark to light, light to dark and sometimes from mid tones to light or dark. I use black. I have painted oil over watercolor and watercolor over oil. A few times I even mix the two and apply it to canvas just to see what happens. One of my favorite methods of painting is to use colored inks for some effects either pure or as a wash. I use a computer for some graphic effects prior to printing a reproduction and often a camera to capture a scene. A lot of my painting is done with art brushes but often I use a house painters brush or a piece of material like a sponge. Sometimes I use my fingers. I mix my painting techniques and may dab, daub, wash, scrumble, rub, brush stroke or ?

Thankfully we are in a time when artists have tools available to them that the  masters throughout history would envy. A full composite of my work utilizes traditional and new methods in a way that a finished piece is dependent on all phases from the brush to the computer to the printer. Often, as various steps are accomplished, I will go back to the original piece and adjust it to reflect what has been achieved since it was first considered as finished.  At times there may not be an actual “original” in the sense of one specific or completed piece.

A theme that runs through much of my work is to display subject matter that may not be possible to find in the future. Many landscape scenes are not from a wilderness but are located very close to areas under commercial development. They are here today but tomorrow may be replaced by a Wal-Mart or a road leading to it.  Often the rural scenes I choose are in a similar vain including abandoned farms and buildings.

I also like to use things close to me as subjects. Many of the flowers are from my yard and still life's from objects in my house. I have used my dog for a model. Trees or skylines might be within blocks of my home and sometimes I'm lucky enough to be looking out my patio door and spot hot air balloons overhead or capture an especially colorful sunset. 

I enjoy trying new things with my art. Click to find out what some of that is.
To learn a little on how masters (originals) are painted click.

Since 1995 my primary method of showing and selling my artwork has been through the internet, art agents and a few select gallery locations.

I was born 7/8/46, Vermillion, South Dakota and raised in Sioux Falls, South Dakota. I lived and worked at times in various locations including Pismo Beach, Ca., Chicago, IL. and Florence/ Eugene, Oregon. My currently home is Sioux Falls.

Were you expecting credentials? I don't have any. I'm not a professor and there is no trophy case of awards. I never sought them. My reward has been to have my friends and clients purchase my art. That is the greatest reward of all. Knowing that people want to live with it and buy enough that I can enjoy my own life and work. Maybe I'm simply getting cantankerous and independent as youth turns to seasoning. For a photo of me displaying my best credentials for outdoor art click.

[Prices] [Purchasing]
New: We have some fast and inexpensive computers for sale that have high quality art, printing and photography software installed.
New: How to video and classes on Raku pottery including kiln building.
New: Music and image presentations you can run on your computer. Free trials
Tour these galleries.
Every painting or photography image is available as a gift or greeting card.

[Greeting cards] [Custom portraits]
 [Photography] [Abstracts and impressionism] [3 dimensional
[Newest paintings and print gallery]
[Realism paintings Gallery 1   Gallery 2  Gallery 3]  
[Rural America] [Sunsets] [Figure studies] [Digital art]
[Original paintings placed for sale]
[Music visualization DVD samples]
[Screen savers and presentations for the PC]


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